Ok, it’s a little late but you can all just bloody well deal with it. Here’s my personal top 20 films of 2011, it’s got some surprises and some certainties but i’ll justify them all to the best of my ability.
20 – Senna
In a list like this, it’s inevitable that some films will need to be justified whilst others you’ll have to justify not putting them higher and I fear that this will be the latter. I didn’t dislike Senna by any means, it’s in my top 20 after all but it just didn’t resonate with me the same way it did with others. For starters I didn’t agree with the tone throughout, the forced shoe-horning of certain characters as your ‘baddie’ just didn’t seem necessary. It also tried too hard to make Senna himself out to be a hero when he was probably more than a little bit of an arse himself. Overall the film tells a compelling story and the final scene is something definitely to be experienced but it’s not quite the masterpiece I was expecting.
19 – Source Code
I loved Moon, it’s one of the finest Sci-Fi films of our time and a brave, original debut by Bowie Jnr. With this in mind, I couldn’t wait for his next effort, a seemingly more conventional take on the genre. The cast was solid, the premise was exciting and the trailer set the pulse racing in all the right ways. The final product was ultimately a little disappointing though, with the promising set-up not quite satisfying as you’d want it to. It works, but….you’re not really happy with the answers it gives.
18 – Super 8
I love JJ Abrams. I know there are others who feel differently but I love everything he touches. He created the best show of all time in Lost and he entirely reinvigorated Star Trek for a new generation, he even made Mission Impossible watchable. Super 8 was an entirely different proposition to the rest though, it was a love story to a childhood memory. It’s also about an alien but kind of also not really about an alien. On paper the film is nothing to write home about but everything melds together so well that it really leaves a lasting mark. It also proved that you can never have too much lens flare.
17 – Mission Impossible: Ghost Protocol
Who knew that action films could still be exciting? It shouldn’t even really be a surprise that Ghost Protocol is excellent, it’s directed by Brad Bird and stars the chronically under-rated Tom Cruise alongside a hugely talented supporting cast. It features an exploding Kremlin and a man running down a building, what’s not to like?
16 – Crazy Stupid Love
I know, right? A terrible choice. It’s a paint-by- numbers romantic comedy starring Steve Carell and undoubtedly not worthy of a spot on anyone’s ‘best of’ list. Well, just….just watch it before you judge me. It’s also got Ryan Gosling in it, and Emma Stone, it’s even got Julianne Moore! It’s funny, it’s well paced and whilst it’s not groundbreaking work it is really quite sweet. I apologise for this choice, normal service will be resumed soon.
15 – Another Earth
I wasn’t even aware this film existed until a late night scouring session on IMD. The complete lack of attention it received at the box office seems entirely without justification though. It’s a touching, moving look into humanities ability to forgive through tragedy…all set in front of an intriguing sci-fi setting. I’ve always maintained that the best sci-fi films aren’t a story about a sci-fi world but one that’s existing among a sci-fi world – and this is definitely the good kind. Never does the film focus squarely on the second Earth that appears in the sky but it’s a key part of the wider story.
14 – Kill List
Oh the tragedy of the botched ending. For the vast, vast majority of its runtime Kill List is the best British film in decades. It’s wonderfully acted, brilliantly directed and minimally but effectively scored. It’s tense, scary, touching and it totally draws you in….and then it ends. It ends and you sit there with your mouth wide open, eyes flitting about dramatically and the thought starts to form in your mind….”That’s it?!” I’ve watched it twice now and the ending still bemused and irritated me on the second view. It’s like a scene out of an entirely different film, it’s horrible and it’s such a shame because it’s usually so hard for one scene to ruin an entire film. It gives you a complex, deep ending but with no pieces. It’s like a jigsaw puzzle without the box. With this in mind, it drops Kill List from a comfortable top 3 to somewhere in the teens.
13 – Blitz
JC will love this, a Statham film in my top 20. There’s not much to say about Blitz except to say that it stars the reliably awesome pairing of Paddy Considine and David Morrisey and is just bloody entertaining. Statham plays the typically monosyllabic tough guy that he’s trademarked but it never becomes a problem and he even manages to add a little humanity to the role. It also briefly stars Joseph Dempsie of Skins fame, but he manages to keep up his amazing habit of getting killed in everything i ever see him in.
12 – Limitless
Hollywood’s full of high concept, low inspiration productions right now and most are ultimately disappointing. Fortunately this is one of the few that truly pays off. Bradley Cooper plays an incredibly charismatic writer who’s had his world turned upside down after taking a pill that ‘activates the other 90% of his brain’ (despite the theory behind that being entirely untrue) and makes him super-smart, super-rich and somehow super-well dressed. The ending’s a little predictable and Robert de Niro is clearly not going all out but you don’t really mind. It’s a fun ride that holds up to multiple viewings and one world in which I’d actually like to see a sequel.
11 – Insidious
Paranormal Activity is the best horror franchise of recent years in my eyes. It’s a fresh, original take at stirring childish fears and it works at such a subconcious level that you don’t realise how intense it is until the payload is released. The only film that came close is the original (and the best) Saw film and therefore it lead to no little excitement in me to learn that Insidious would be created by the brain children of both the aforementioned films. It’s another haunted house offering and it’s clearly filled with ideas that they couldn’t legitimately fit into either the Paranormal Activity or Saw films, but that’s not to the detriment of the final product. Insidious might not be quite as good as PA or Saw individually but it’s far scarier and more stylish and there’s a previously innocent early 1900′s song in there that you’ll never listen to quite in the same way again. Insidious is fantastic.
More to come…







